A few months ago I looked into selling a limited edition print at a local coffee shop and as of last month, I now have nine of my photographs on display at the Milagro Coffee Shop near NMSU. They are quite a sight, but I am biased, so please go see them for yourself and tell me what you think. They will be taken down at the end of this month (June). I was a teenager when I learned how to compose a decent shot onto film and then enlarge it onto light sensitive paper in the dark. Digital technology fulfilled every photographer’s dream of getting out of the dark. But the process is too sentimental for me; I still develop my own film. Not that I don’t appreciate and utilize digital cameras just that I agree with the film looks better rhetoric. That being said, I take pride in the photographs I have on display, and will continue to make fine art photographs with the best quality museum standard available (which continues to change), and I will sign my photographs with my initials so that you will know it was a photograph taken by me, and held to my level of permanence standard.

The Same Fine Art Prints We Offer Our Clients

All of the photographs are giclée printed with archival pigment inks onto fine art cotton etching paper. These prints are museum quality and will last over a hundred years without fading as long as they are treated properly. Speaking of which, they are displayed in custom handmade spline joinery frames made from some of my favorite hardwoods ranging from purple heart to sapele mahogany. Spline joinery means instead of the wood being held together by V-nails, the staple used on most frames, they are held together by wood splines. This way as the wood contracts and expands throughout the year, it won’t be fighting a metal staple which does not (contract and expand). Half of the frames, except for those made from quarter-sawn oak and one made from Tiger Maple, are finished with pure tung oil, to bring out the natural color and grain of the lumber. All are dust covered with a breathable backing and an attached hanging wire. I know a lot about these, because I made them myself. Which is how I know these frames will last a long time. The quality of these framed prints aren’t unfamiliar to our clients, they have been decorating their own walls with them for years.

If You See a Photograph in Las Cruces Signed NT4

Without having any access to documentation, the easiest way to determine whether an art piece is somewhat rare as opposed to a mass produced reproduction, is the sight of a hand signed signature right on the artwork. So using an archival acid free ink, I signed most of these prints for this show with my initials, NT4. Nate Taylor, but what is the 4 about? The number 4 has been pretty significant to me over my life time. I was born on the fourth, I married a woman who was born on the fourth on the fourth, and there happens to be 4 people in our family. Despite all of that, the first job I had as a teenager that lasted longer than a couple of years was with a nationwide company that had identifier codes for each employee. First initial, last initial, and a number representing the number of employees with those same initials working for the company. I was the fourth person in the company with the initials NT. As I worked longer for the company I got promoted into management, and all paperwork that came my way, I had to sign in my employer identification code. So NT4 stuck. Ever since then I just initialed everything with the 4 at the end. So…I opted for signing my initials opposed to my full signature. I came up with my signature in the third grade and it hasn’t changed much since then so you can imagine it’s not the greatest looking signature. So until I take some calligraphy courses, I will be signing my art with my initials.